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  <titleInfo>
    <title>Movies and meaning: an introduction to film</title>
  </titleInfo>
  <name type="personal">
    <namePart>Prince, Stephen</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Boston</placeTerm>
    </place>
    <publisher>Pearson</publisher>
    <dateIssued>1996</dateIssued>
    <edition>4th ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xii, 500 p.: ill.;</extent>
  </physicalDescription>
  <tableOfContents>Contents: 1. Film structure: Structure and and the camera -- Structural design and creative choice -- The camera and the human perception: cinema's dual capability -- 2. Cinematography: Collaboration and previsualization -- The essentials of cinematography -- Cinematography and the digital domain -- Visual style and design quotations -- summary -- 3. Production design: What the production designer does -- Basic tools of production design -- The design concept -- Production design and special effects -- 4. Acting: Acting in film and theater -- Categories of film performers -- Methods and technical approaches to performing -- The performer as an element of visual design -- Performance, emotion, and the viewer's response -- 5. Editing: Making the cut: What is editing? -- Linear and nonlinear systems -- Functions of editing -- The principles of continuity editing -- Alternative to continuity editing -- Summary -- 6. Principle of sound design: Sound in the contemporary film -- evolution of film sound -- Types of sound -- Sound design -- Summary -- 7. The nature of narratives in films: Story and script -- the turn to narrative in early film history -- Elements of narrative -- The classical Hollywood narrative -- The viewer's contribution to narrative -- Film genres -- Summary -- 8. Modes of screen reality: Realism -- Expressionism -- Fantasy and the fantastic -- Cinematic self-reflectivity -- 9. Hollywood international: The global dominance of Hollywood -- International influence of Hollywood style -- Summary -- 10. Cinema in multiple contexts: Animation -- Documentary -- Independent film -- International film -- Women in film -- African American film -- Summary -- 11. Film criticism and interpretation: Why criticism exists -- The task of the critic -- Modes of criticism -- Creating criticism -- Summary -- 12. Models of Film theory: Realist models -- Auteurist models -- Psychoanalytic models -- Ideological models -- Feminist models -- Cognitive models -- Summary --</tableOfContents>
  <note type="statement of responsibility">Stephen Prince</note>
  <note>Includes index.</note>
  <subject>
    <topic>Motion pictures</topic>
  </subject>
  <classification authority="lcc">PN1994 .P67</classification>
  <classification authority="ddc">791.43</classification>
  <identifier type="isbn">0256182574</identifier>
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    <recordCreationDate encoding="marc">120618</recordCreationDate>
    <recordChangeDate encoding="iso8601">20211214121448.0</recordChangeDate>
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